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    • Home
    • About
    • Books
    • Other Writing
    • The Recycling
    • They Do Not Move
    • Social Media
    • Home
    • About
    • Books
    • Other Writing
    • The Recycling
    • They Do Not Move
    • Social Media
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      • Home
      • About
      • Books
      • Other Writing
      • The Recycling
      • They Do Not Move
      • Social Media
      • Tomoé Hill

      • ABOUT

        Tomoé Hill's writing has appeared in such publications as Vestoj.com, MAP Magazine, Exacting Clam, Socrates on the Beach, Lapsus Lima, The London Magazine, Vol. 1 Brooklyn, The Quietus, 3:AM Magazine, Music & Literature, and Numéro Cinq, as well as various anthologies. She co-wrote a monthly feature as part of the duo XX and XY, reviewing erotic classic literature for Rowan Pelling's The Amorist during its time as a print magazine. Songs for Olympia, a response to The Ribbon at Olympia's Throat by Michel Leiris will be published by Sagging Meniscus Press in 2023.

      • BOOKS & ANTHOLOGIES

        Songs for Olympia (Sagging Meniscus Press, October 2023)

        Trauma: Essays on Art and Mental Health (Dodo Ink, 2021), Editors: Sam Mills and Thom Cuell

        Essay: Inheritance is Silence

        Press: Times Literary Supplement

        Love Bites: Fiction Inspired by Pete Shelley and Buzzcocks (Dostoyevsky Wannabe, 2019), Editors: Andrew Gallix, C.D. Rose, Tomoé Hill

        Autofiction: Orgasm Addict

        Press: 3:AM Magazine

        Azimuth: The Ecology of an Ear (Sonic Art Research Unit at Oxford Brookes University, 2019), Editor: Patrick Farmer

        Essay: Oval Window

        Press: The Wire, Issue 427

        We'll Never Have Paris (Repeater Books, 2019), Editor: Andrew Gallix

        Essay: Pilgrimage

        Press: Times Literary Supplement, Financial Times, The London Magazine

      • OTHER WRITING, COMPETITIONS, ETC.

        (XX and XY pieces from Minor Literature[s] as well as those featured in The Amorist are now in The Recycling section; other selected work will also be relocated there.)

         

        2023

        Essay: Choreography of Ruin, Exacting Clam, Issue No. 8, Spring

        Fiction: The Water Collectors, Ligeia Magazine, Spring Issue

        Essay: The Author Can't, The Author Must: Mikhail Bulgakov's Black Snow and the Drama of the Writer, The Hobbyhorse, TBA

        Essay: First, a Feeling: On Translation Without Language, Exacting Clam, Issue No. 9, Summer

        Response/Remix: I Worry About You Worrying About, Overground Underground, 'Response' Issue, TBA

         

        2022

        Fiction: Unquiet Bodies, Ligeia Magazine, Spring Issue

        Review: Genesis 0 by Isabelle Nicou (tr. Katie Shireen Assef), Exacting Clam, Issue No. 5, Summer

        Response: The Virgin and the Flame: An Imagining of Anne Serre's The Beginners (tr. Mark Hutchinson), MAP Magazine, June

        Essay: Metamorphosis, Vestoj, June

        Essay: The Dress and the Bench, Exacting Clam, Issue No. 6, Autumn

        Essay: Skin and Smoke, Vestoj, September

         

        2021

        Fiction: Eurydice Returns to the Living, Black Telephone Magazine, Issue #4

        Essay: Murmurations, Socrates on the Beach, June

        Fiction: New In Town, Ligeia Magazine, Summer Issue

        Essay (Pushcart Prize nomination): Scent Markings, Childhood, Exacting Clam, Issue No. 2, Autumn

        Essay: Breath and Belief (Part 1 and Part 2), Covidian Æsthetics, November

        Essay: -zoic (-zoic I and -zoic II), MAP Magazine, December

         

        2020

        Competition (essay): Scents of Desire, shortlisted for the Disquiet ILP Prize in nonfiction, February

        Competition (essay): The Goat, finalist, Porter House Review Editor’s Prize in nonfiction, July

        Essay: No Feet, Vol. 1 Brooklyn, September

        Essay: The Ring, The London Magazine, September

        Essay: The Goat, Porter House Review, December

         

        2019

        Essay: Are Made Of, Empty Mirror, April

        Essay: Scent Markings, Lapsus Lima, May

        Review: Death Mort Tod, Music & Literature, July

        Fiction: 54 Rue de Seine, Fur-Lined Ghettos, July issue #9

        Essay: Galen’s Heart, Burning House Press, September

        Essay: Erotica: A Liminal Manual, Lapsus Lima, September

        Fiction: Orgasm Addict (from the Love Bites anthology), The Quietus, September

        Essay: Normal/Hunger (illustrated six-part collaboration with Yanina Spizzirri), Minor Literature[s], September-October

        Visiting Lecturer, Critical Reading (MA Writing), Royal College of Art, London, October

        Essay: Speak to Me of Love and I Will Speak to You of Wings, Airplane Reading, December

         

        2018

        Micro-essay: Colourforms, Visual Verse, January

        Essay: The End, Lunch Review (part of Punctum Books, now defunct), February

        Review: Catalina, Minor Literature[s], April

        Essay: Presence and Absence, RIC Journal, June

        Essay: Paris, Taxes, Lapsus Lima, June

        Essay: Read Angry: On Good Feminism and the Bad Reader, Queen Mob’s (now defunct), July

        Essay: Another Way of Seeing, 3:AM Magazine, December

         

        2017

        Review: Trysting (co-written as part of XX and XY), Minor Literature[s], January

        Review: To Begin at the Beginning, Minor Literature[s], January

        Review: Nightjar, The City Story, January

        Review: The Wolseley, The City Story, January

        Review: Against Everything: On Dishonest Times (co-written with Thom Cuell), Minor Literature[s], Parts 1-5 between January-February

        Essay: Fortnums Easter, The City Story, March

        Review: Speak Gigantular, New Orleans Review, March

        Review: Henry and June, (co-written as part of XX and XY), The Amorist, April

        Review: Turkish Delight, The Amorist, April

        Review: Story of O, (co-written as part of XX and XY), The Amorist, May

        Review: Venus in Furs (co-written as part of XX and XY), The Amorist, June

        Review: HKK, The City Story, June

        Review: A Cup of Rage, The Amorist, June

        Review: Ulysses, (co-written as part of XX and XY), The Amorist, July

        Review: Duck and Waffle, The City Story, July

        Review: Perfume at Somerset House (exhibition), The Amorist, July

        Review: Philosophy in the Boudoir, (co-written as part of XX and XY), The Amorist, August

        Review: Madame Bovary, (co-written as part of XX and XY), The Amorist, September

        Review: Les Liaisons dangereuses, (co-written as part of XX and XY), The Amorist, October

        Review: Manon Lescaut, (co-written as part of XX and XY), The Amorist, November

        Essay: Beauteous Box, Minor Literature[s], December

         

        2016

        Essay: The Desire of the Senses: Sexual Chemistry and Biology in Nausicaa, Berfrois, January

        Essay: Scent and Memory: An Olfactory Life, Numéro Cinq, January

        Review: I’m Very Into You: Correspondence 1995-1996 (co-written as part of XX and XY), Minor Literature[s], February

        Review: Nicotine, New Orleans Review, February

        Essay: Please Don’t Touch the Bottles, The City Story, April

        Review: Chelsea Physic Garden, The City Story, April

        Essay: Pen & Eliot, The City Story, May

        Essay: The Electric Peacock, The City Story, May

        Essay: The Beating Heart, 3:AM Magazine, May

        Review: The Transmigration of Bodies, Minor Literature[s], May

        Essay: Apple and Pear Trees, Numéro Cinq, May

        Review: The Black Curve (co-written as part of XX and XY), Minor Literature[s], June

        Essay: Haute Sucre, The City Story, May

        Essay: A Place to Breathe, The City Story, May

        Review: St John, The City Story, June

        Review: Beastlife, Minor Literature[s], August

        Review: A Terrace in Rome, The Quarterly Conversation (now defunct), October

        Review: Donostia, The City Story, October

        Review: The Jugged Hare, The City Story, October

        Review: I’d Like to Thank Manchester Air Rifles, Berfrois, November

        Review: The Existential Flâneuse: In the Café of Lost Youth, Minor Literature[s], December

        Review: Balthazar, The City Story, December

        Associate Editor, Dodo Ink, 2016 - 2017

         

        2015

        Essay: My Bones Are London, Minor Literature[s], April

        Review: No Moon, Minor Literature[s], August

        Review: F.M.R.L., Minor Literature[s], September

        Review: Philosophical Toys, Minor Literature[s], September

        Review: Walter Benjamin’s Archive, Minor Literature[s], November

        Review: Grow a Pair (co-written as part of XX and XY), Minor Literature[s], November

        Review: Pond, Minor Literature[s], November

        Editor, Minor Literature[s], 2015 - 2019

      • The Recycling

        writings of no fixed abode or updated/re-edited previously published pieces I feel like reposting here.

        Eau-rotica
        May 9, 2023
        Forward & Backward Raphael Réplique, Guerlain Chant d’Arômes, and Lanvin My Sin Sometimes a...
        The American Friend (Wim Wenders, 1977)
        April 13, 2023
        Everything is fake.   “This is a film about lies” says Orson Welles in the trailer for F for...
        The Desire of the Senses: Sexual Chemistry and Biology in Nausicaa
        December 15, 2022
        Wait. Hm. Hm. Yes. That’s her perfume. Why she waved her hand. I leave you this to think of me...
        More Posts
      • Social Media

         

         

         

         

         

         

        Twitter: @CuriosoTheGreat  

        Mastodon: @curiosothegreat@zirk.us

         

        Note: I don't do Zoom at all or live events/audio anymore due to terrible social anxiety. My writing is much more articulate than I am.

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

         

      © 2020 Tomoé Hill

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