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    • Home
    • About
    • Books
    • Other Writing
    • Unpublishable
    • Contact
    • Home
    • About
    • Books
    • Other Writing
    • Unpublishable
    • Contact
    • …  
      • Home
      • About
      • Books
      • Other Writing
      • Unpublishable
      • Contact
      • Home
      • About
      • Books
      • Other Writing
      • Unpublishable
      • Contact
        • Tomoé Hill

        • ABOUT

          Tomoé Hill's writing has appeared in such publications as Socrates on the Beach, Lapsus Lima, The London Magazine, Vol. 1 Brooklyn, The Quietus, 3:AM Magazine, Music & Literature, and Numéro Cinq, as well as various anthologies. She co-wrote a monthly feature as part of the duo XX and XY, reviewing erotic classic literature for Rowan Pelling's The Amorist during its time as a print magazine. She holds a degree in philosophy from King’s College London.

        • BOOKS & ANTHOLOGIES

          We'll Never Have Paris (Repeater Books, 2019), Editor: Andrew Gallix

          Essay: Pilgrimage

          Reviews: Times Literary Supplement, Financial Times, The London Magazine

          Azimuth: The Ecology of an Ear (Sonic Art Research Unit at Oxford Brookes University, 2019), Editor: Patrick Farmer

          Essay: Oval Window

          Review: The Wire, Issue 427

          Love Bites: Fiction Inspired by Pete Shelley and Buzzcocks [Dostoyevsky Wannabe, 2019], Editors: Andrew Gallix, C.D. Rose, Tomoé Hill

          Autofiction: Orgasm Addict

          Review: 3:AM Magazine

          Trauma: Essays on Art and Mental Health [Dodo Ink, 2021], Editors: Sam Mills and Thom Cuell

          Essay: Inheritance is Silence

          Review: Times Literary Supplement

          Songs for Olympia (working title) [Sagging Meniscus, 2023]

        • OTHER WRITING, COMPETITIONS, ETC.

          (as the majority of my work at Minor Literature[s] no longer appears to be available, I am in the process of moving 'XX and XY' pieces as well as those in The Amorist to the Unpublishable section; other selected work will follow as I have time to update this site.)

          2022

           

          Fiction: Unquiet Bodies, Ligeia Magazine, Spring 2022

           

          Review: Genesis 0 by Isabelle Nicou (tr. Katie Shireen Assef), Exacting Clam, Issue No. 5, Summer 2022

           

          Response: The Virgin and the Flame: an imagining of Anne Serre's The Beginners (tr. Mark Hutchinson), MAP Magazine, TBA

           

           

          2021

           

          Fiction: Eurydice Returns to the Living, Black Telephone Magazine, Issue #4, 2021

           

          Essay: Murmurations, Socrates on the Beach, June 2021

           

          Fiction: New In Town, Ligeia Magazine, Summer 2021

           

          Essay: Metamorphosis (Part 1: The Birds, Part 2: Binding & Unravelling, Part 3: The Dolls), for The Thread column, La Piccioletta Barca, August 2021

           

          Essay (Pushcart Prize nomination): Scent Markings, Childhood, Exacting Clam, Issue No. 2, Autumn 2021

           

          Essay: Breath and Belief (Part 1 and Part 2), Covidian Æsthetics, November 2021

           

          Essay: -zoic (-zoic I and -zoic II), MAP Magazine, December 2021

           

          2020

           

          Competition (essay): Scents of Desire, shortlisted for the Disquiet ILP Prize in nonfiction, February 2020

          Competition (essay): The Goat, finalist, Porter House Review Editor’s Prize in nonfiction (judge: Leslie Jamison), July 2020

           

          Essay: No Feet, Vol. 1 Brooklyn, September 2020

          Essay: The Ring, The London Magazine, September 2020

           

          Essay: The Goat, Porter House Review, December 2020

          2019

           

          Essay: Are Made Of, Empty Mirror, April 2019

          Essay: Scent Markings, Lapsus Lima, May 2019

          Review: Death Mort Tod, Music & Literature, July 2019

          Autofiction: 54 Rue de Seine, Fur-Lined Ghettos, July issue #9 2019

          Essay: Galen’s Heart, Burning House Press, September 2019

          Essay: Erotica: A Liminal Manual, Lapsus Lima, September 2019

          Autofiction excerpt: Orgasm Addict (from the Love Bites anthology), The Quietus, September 2019

          Essay: Normal/Hunger (illustrated six-part collaboration with Yanina Spizzirri), Minor Literature[s], September-October 2019

          Visiting lecturer, Critical Reading (MA Writing) at the Royal College of Art, London, October 2019

          Essay: Speak to Me of Love and I Will Speak to You of Wings, Airplane Reading, December 2019

          2018

           

          Micro-essay: Colourforms, Visual Verse, January 2018

          Essay: The End, Lunch Review (part of Punctum Books, now defunct), February 2018

          Review: Catalina, Minor Literature[s], April 2018

          Essay: Presence and Absence, RIC Journal, June 2018

          Essay: Paris, Taxes, Lapsus Lima, June 2018

          Essay: Read Angry: On Good Feminism and the Bad Reader, Queen Mob’s (now defunct), July 2018

          Essay: Another Way of Seeing, 3:AM Magazine, December 2018

          2017

           

          Review: Trysting (co-written as part of XX and XY), Minor Literature[s], January 2017

          Review: To Begin at the Beginning, Minor Literature[s], January 2017

          Review: Nightjar, The City Story, January 2017

          Review: The Wolseley, The City Story, January 2017

          Review: Against Everything: On Dishonest Times (co-written with Thom Cuell), Minor Literature[s], Parts 1-5 between January-February 2017

          Essay: Fortnums Easter, The City Story, March 2017

          Review: Speak Gigantular, New Orleans Review, March 2017

          Review: Henry and June, (co-written as part of XX and XY), The Amorist, April 2017

          Review: Turkish Delight, The Amorist, April 2017

          Review: Story of O, (co-written as part of XX and XY), The Amorist, May 2017

          Review: Venus in Furs (co-written as part of XX and XY), The Amorist, June 2017

          Review: HKK, The City Story, June 2017

          Review: A Cup of Rage, The Amorist, June 2017

          Review: Ulysses, (co-written as part of XX and XY), The Amorist, July 2017

          Review: Duck and Waffle, The City Story, July 2017

          Review: Perfume at Somerset House (exhibition), The Amorist, July 2017

          Review: Philosophy in the Boudoir, (co-written as part of XX and XY), The Amorist, August 2017

          Review: Madame Bovary, (co-written as part of XX and XY), The Amorist, September 2017

          Review: Les Liaisons dangereuses, (co-written as part of XX and XY), The Amorist, October 2017

          Review: Manon Lescaut, (co-written as part of XX and XY), The Amorist, November 2017

          Essay: Beauteous Box, Minor Literature[s], December 2017

          2016

           

          Essay: The Desire of the Senses: Sexual Chemistry and Biology in Nausicaa, Berfrois, January 2016

          Essay: Scent and Memory: An Olfactory Life, Numéro Cinq, January 2016

          Review: I’m Very Into You: Correspondence 1995-1996 (co-written as part of XX and XY), Minor Literature[s], February 2016

          Review: Nicotine, New Orleans Review, February 2016

          Essay: Please Don’t Touch the Bottles, The City Story, April 2016

          Review: Chelsea Physic Garden, The City Story, April 2016

          Essay: Pen & Eliot, The City Story, May 2016

          Essay: The Electric Peacock, The City Story, May 2016

          Essay: The Beating Heart, 3:AM Magazine, May 2016

          Review: The Transmigration of Bodies, Minor Literature[s], May 2016

          Essay: Apple and Pear Trees, Numéro Cinq, May 2016

          Review: The Black Curve (co-written as part of XX and XY), Minor Literature[s], June 2016

          Essay: Haute Sucre, The City Story, May 2016

          Essay: A Place to Breathe, The City Story, May 2016

          Review: St John, The City Story, June 2016

          Review: Beastlife, Minor Literature[s], August 2016

          Review: A Terrace in Rome, The Quarterly Conversation (defunct), October 2016

          Review: Donostia, The City Story, October 2016

          Review: The Jugged Hare, The City Story, October 2016

          Review: I’d Like to Thank Manchester Air Rifles, Berfrois, November 2016

          Review: The Existential Flâneuse: In the Café of Lost Youth, Minor Literature[s], December 2016

          Review: Balthazar, The City Story, December 2016

           

          Associate Editor, Dodo Ink, 2016 - 2017

          2015

           

          Essay: My Bones Are London, Minor Literature[s], April 2015

          Review: No Moon, Minor Literature[s], August 2015

          Review: F.M.R.L., Minor Literature[s], September 2015

          Review: Philosophical Toys, Minor Literature[s], September 2015

          Review: Walter Benjamin’s Archive, Minor Literature[s], November 2015

          Review: Grow a Pair (co-written as part of XX and XY), Minor Literature[s], November 2015

          Review: Pond, Minor Literature[s], November 2015

           

          Editor, Minor Literature[s], 2015 - 2019

        • Unpublishable

          writings of no fixed abode: work no longer available on the original published sites/in print, or just pieces I feel like reposting here.

          Pilgrimage
          2022年2月21日
          Les Halles, sing-songed the automated voice on the Métro, a beat too long between words. The fast...
          54 Rue de Seine
          2022年2月21日
          There is no escaping that slightly nasal drone, the one that makes my back teeth set and my body...
          A Cup of Rage by Raduan Nassar (tr. Stefan Tobler)
          2022年2月9日
          To strip a person’s name is to deny them a part of their humanity. But in A Cup of Rage by Raduan...
          More Posts
        • CONTACT

           

           
           
           
           
           

          Twitter: @CuriosoTheGreat  

           

           
           

           

           
           
           
           

           

           
           
           
           
           
           
           
           
           
           
           
           
           
           

           

           

           

           

           

           

        All images: Tomoé Hill

        © 2020 Tomoé Hill

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